Ah, Portugal!
The Kid and I flew to Lisbon on a Friday night in February – arriving Saturday morning local time. Despite our weariness (alas, no sleep on the plane), we dropped off our bags and headed right out to explore. We started with our neighborhood in the city – the ancient warrens and winding alleys of Mouraria, the birthplace of Fado music, seen here at sunset from the park near our house. To the left, on the hill, is the Castelo de Sao Jorge – one of the highest points in the city and where the Portuguese could eyeball the harbor where the Tagus River meets the Atlantic. As a seafaring people – and near neighbor to a much larger country with a famous Armada – this was essential. In the distant background is the bridge that spans the Tagus, a virtual clone of the Golden Gate. We would cross it by train later in our stay.
By the end of our first explorations and a museum tour with a local friend, we were tuckered and opted for a dinner close to home. Jasmim de Mouraria, a local tapas place the size of a McMansion linen closet, turned out to be a stunning find. We could walk out our front door and nearly fall into the place – though the actual stumbling mostly happened in the opposite direction. Here Jethro waits for food while I explore the tiny alleyway outside.
Due to the size of the kitchen, food options are
limited. Nevertheless, we returned several times during the week, called back
by the cheese, charcuterie, bean and bacalhau salad, and wine – not to mention
the hospitality of Walter, the Cape Verdean host/cook/waiter/dishwasher, who
was greeting us by name by the end of the week. A typical meal looked something
like this:
Another great advantage of Jasmim was the presence
of a Portuguese guitarist (which is to say, he was a guitarist of Portuguese
descent and played an instrument called the Portuguese guitar) named Alex. He
was usually around and happy to play and share the history of the music of
Mouraria. He also played a mean cover of Hotel California on the thing and
treated us to his conspiracy theorist view of politics, Portuguese history, and
the world in general. The Bushes and the Bilderberg Group figured heavily, and
9/11 was an inside job. Imagine if one of the guys in the Gipsy Kings had a
talk radio show.
Downtown Lisbon manages to be ancient and modern at
the same time. For this, they can thank one of the most unlucky incidents in
the history of nations – an earthquake in the 18th century that
spawned fires its wake – fires that were then doused by a tsunami. Most of the
lower part of the city was destroyed one way or another. The chap that fixed
the place up, the Marquis de Pombal, was an enlightenment sort, so what is now
the downtown is laid out geometrically in grand circles and broad avenues and
sweeping green spaces reminiscent of Washington D.C., but with Iberian rather
than classical flair.
There is a park in the middle of the city, sloping
down to a gorgeous view of the river, that, although it is named for Eduardo
VII, is surrounded by things named for Pombal – metro stops, hotels, a statue
of him in the avenue from which I took the picture below. Even the main grassy
square behind Jethro is called Marquis de Pombal Square.
Great views abound in this city – sort of like San
Francisco might look if the Spaniards had held it another 200 years. (Unlike Frisco, however, everyone in Lisbon spoke
English. And despite Portugal’s decriminalization of drugs up to and including
heroin, you can walk the city for days – and we did! – without seeing a
strung-out, panhandling casualty using the sidewalk as a bathroom. Go figure.)
As you climb the hills into the city, it feels like
going back in time. The buildings get older, the streets narrower, and the
decrepitude more obvious. It’s not a Detroit kind of decrepitude, but plaster
flakes, paint peels, and iron scrollwork rusts wherever you turn. It does
manage to be a charming shabbiness, though I couldn’t explain exactly how.
However, as you climb those hills, you also discover
amazing monuments to the ancient life of this city that are lost in the
reconstructed lower town. The Castelo de Sao Jorge, for example, on which Jethro is perched below. (Our house is in the neighborhood directly below.) Originally
a Moorish castle, it was won by the Christians during the Reconquista of 1147.
While maintenance has been required over the years, the foundations of the castle
are well over a thousand years old, and excavations below indicate that it was
a fortified site as early as the Celtic times, before the Romans arrived around
300 BC.
Jethro loved the little cars of Portugal – here a
Mini, there a Fiat, everywhere a Citroen. Almost all the streets in the hills
are paving-stone creations, laid with near-Germanic precision. I suppose it
gives a sense of the value of labor in 1755 that some of the streets and many
of the sidewalks have mosaic patterns in the stonework. And it’s not just
painted on. There are literally miles of sidewalk around Pombal Square with
hand-laid stone scrollwork patterns in the paving.
Also in the hills near the Castelo is the lovely
Igreja de São Vicente de Fora. The soaring arches and the Baroque
embellishments are typical of the style, but the pinks and turquoises on the
walls make it look like maybe the local monsignor had seen a little too much
Miami Vice.
Speaking of such colors, the backyard of the church
looked out onto this. Directly below, again, is our neighborhood of Mouraria.

If you are willing to indulge some more church pics,
the Lisbon Cathedral is just over the next hill from the Igreja – and it is
fabulous, inside and out. As with everything in Lisbon, earthquakes have taken
a toll on the building, and its current appearance is the product of a
restoration less than 100 years ago – but a restoration that incorporates
elements from the 1100s, including the rose window here.
Inside, the nave and choir are stunning. I can’t
imagine painting that ceiling -- and it’s only half the height of the Sistine
Chapel.
One of the many side chapels in the cathedral, all
of which feature some intense artwork.
In the Cathedral’s cloister is an archaeological dig
that has turned up ruins of the old Roman city of Olissipo. Streets, hearths,
and stone plumbing can be seen clear as day in the rubble.
The historic hills of Lisbon not only afford
splendid views, they are a view in themselves. From a café in Barrio Alto we
looked out at the Alfama neighborhood rising from the river, with the Castelo
in the trees on the left, the twin towers of the Cathedral in the middle, and
the looming Elevador de Santa Justa at right. This lift, built by a student of
Gustave Eiffel, carries passengers 150 feet up from the lower town (Baixa) to
the heights (Barrio Alto).
After a long weekend in Lisbon, we decamped for
Evora, an ancient walled town in the heart of Portugal’s Alentejo – the wine
region! The old city walls are still standing around the original town, with
variations in structure and stone type showing its history – from small patches
of extant Roman stonework to the medieval fortifications seen here.
Inside the walls, the most famous site is the renowned
Capela dos Ossos – the Chapel of the Bones. The bones themselves were harvested
from an ancient cemetery when the land was cleared in the 1500s to site a
church, and the bones were built into a commemorative chapel nearby. It looks every
bit as creepy as it sounds.
Bacalhau – dried, salted codfish – is the national
dish and the most astounding piece of fish I’ve ever had, served here with just
a smidge of garlic. This was our first meal in Evora and our discovery that
here, in the countryside, we couldn’t count on the English skills of the
locals. Our Portuguese skills got their best test here, and we were pretty
successful! Nobody mistook us for locals, I’ll grant, but we got smiles and
nods as a reminder that trying is what counts. (A couple of people corrected my
pronunciation and offered a word or two, but nobody gave the famous French
eye-roll.) Jethro and I ended up agreeing that Portuguese, with its slushy
S-sounds, comes across sounding like Russian spoken by a Spaniard. Or is it the
other way round?
In the old town square of Evora is the ruin of the
Roman Temple of Diana. Let’s be frank here: it looks exactly the way something like this should look. It was also the
one thing in the country that we were not allowed to climb on. You can
walk right up to the very top of a fort, a castle, a church spire with a
hundred-foot drop, and nowhere is there a guardrail or even, most places, a
sign saying “Cuidado!” Ledges that in America would be fenced off for a hundred
feet in any direction – in Portugal you can walk right up to the edge (with a
beer, if you want). Back in Lisbon a day later we got ourselves up on the dangerous pitched roof of a church by giving the guard a couple Euros. (Nice view!) When you are tired of Donald Trump making America great
again, move to Portugal and become a personal injury lawyer.
Four hundred years under the Moors left Evora with
little Arabesque touches – spheres and arches and window detail that vanished
from Lisbon in the earthquake. Here in the Moorish quarter, Jethro stars in a
soda commercial.
Cutting through the town is the Prato Aqueduct,
built in 1531 to bring water from a river five miles away. Because of the local
topography, the arches of the foundation must rise from shoulder height in the
town to three stories just past the city walls.
Back in Lisbon after an overnight in Evora, and back
to the wonderful ubiquity of coffee and pastries. It was difficult to walk two
blocks without being pulled into the shops by the scent of something like an
aptly named Pao de Deus (God’s bread)
or a brioche croissant, which Jethro really loved. The drink is not a milkshake.
This is what you get if you order a latte. It’s about 60 ounces, served at
roughly 5000 degrees – and with no handle on the vessel, Jethro had to stare
like this for another 15 minutes before he could even touch the glass.
After less than 12 hours back in Lisbon, we were on
the train again, this time bound for Sintra, a coastal town that rises from the
Atlantic to dizzying height. Atop a strategic hill sits the Castelo dos Mouros,
built by the Muslims in the 9th century. God knows how this thing
was constructed. It tumbles up and down hills with towers along the walls that
seem to grow out of the rocky landscape itself. As libertarian as I am, this
was one of those places where a guardrail or two would be handy. This was the one
place we were cold, as a damp, chilly wind was coming in off the ocean.


In the fog across the crag is the Palacio da Pena –
built by the queen of Portugal for her husband Ferdinand, a cousin of Victoria
and a very fussy Germanic dude. The interior is the typical tiled and
tapestried 19th century splendor and a reminder that Europe of the
era had yet to match ancient Rome in its technological prowess.
The exterior, however, is as colorful as it is
rambling, a patchwork of yellow, red, and purple towers and arches. Jethro refused the long climb up, so I visited solo.


The next day brought us to the Lisbon district of
Belem, where we munched a local pastry, the locally legendary custard-filled
pasteis de Belem, and climbed the lookout tower that has guarded the Atlantic
shore at the mouth of the Tagus river since 1514. (It’s a popular sight, so it is
difficult to get a picture without tourists pulling weird squatty poses in
front of your camera.)


It’s a very impressive bit of construction, though,
and something that would feature well in a Master
and Commander kind of movie. There are cannons poking out of nearly every
window, and you can just imagine opening up on a French privateer back in the
day.
Here’s Jethro in a lookout port of the tower. Notice
the stairs to allow diminutive 16th century blokes to have a peek.
(In point of fact, Jethro was taller than everyone we met aside from one fellow
who turned out to be Brazilian.)
Like the Hudson and the Thames, the Tagus has been
narrowed by landfill projects over the years, so the tower, which was once well
into the river, is now separated from the land by what is at best a token strip
of brine.
Sharp-eyed readers will note Jethro’s omnipresent
flannel. Grunge, ahoy! He does have three copies of this shirt, so don’t think
he wore the same shirt the whole time. Although I think people in our
neighborhood in Mouraria started to recognize the long-haired kid in the red
and black after a few days. I will say that we did not look “American” to the
locals. Americans, we discovered quickly, all wear nylon ripstop hiking clothes
(even in the city) and have outlandishly garish sunglasses and hats. Everyone
asked if we were English.
Despite an ungodly early flight the next morning, we
spent our last night in Lisbon seeing the nightlife for real. Or as real as we
could manage. Dinner at 9:00 here is like an earlybird special for the bluehair
crowd. Jethro wondered if we could go out to the clubs one night. When we hit
this wine bar in the super-hip Barrio Alto at 7:45, we were the only ones on
the patio, despite the mild weather. The very friendly bartender told us that
we’d be up quite late if we wanted nightlife. Being at a disco at 1:00 a.m.
means dancing alone, as all the self-respecting Lisboans are still pre-gaming
up in the hills.
Well, we did our best, and Jethro even traded flannel
for Oxford for the occasion. Note the Portuguese behind him wearing puffy
arctic coats. Apparently 65 degrees is considered winter here.
Dinner with our friend Tulia was at 9:00 at a steak-and-beer
place in a former convent dating from 1294. Destroyed at least 3 times by fire
and earthquake over the years, it has been an operating beer hall since the
early 1800s. Everyone else had the beef. Always out of step, I ordered an
astounding sea bass served whole. (Lots of bone picking!)
After dinner we went to a place that could only be described as a grotto to hear fado music performed in the traditional style of Portuguese guitar, Spanish guitar, and alternating male and female singers. (Sadly, no pictures of that – flash photos were not allowed, and the place was as dark as a crypt.)
After dinner we went to a place that could only be described as a grotto to hear fado music performed in the traditional style of Portuguese guitar, Spanish guitar, and alternating male and female singers. (Sadly, no pictures of that – flash photos were not allowed, and the place was as dark as a crypt.)
Despite being out until nearly 1:00 am, we caught an
Uber to the airport at 5:45 am and then a plane to the Azores island of Sao
Miguel, where we staggered around in the tropical sun until our hotel let us into
our room for a well-earned nap. The main town of Ponta Delgada is fronted by a
harbor and an ancient fortress, looking very Puerto Rico. It’s a lovely place,
where we had one of our best meals of the trip in a little tapas bar that
stuffed us like Thanksgiving turkeys full of bread and cheese and local jam and
honey and sent us staggering back out onto the streets. But if you aren’t in
the Azores for sun and surf, it’s a pretty sleepy place to stay.
So sleepy, in fact, that we ended up at the local
mall (beg pardon: The Parque Atlantico) that evening to seek out some fun,
where we came across a store with a familiar name. (As Elvis Costello asked of
the Spanish namesake for an Ohio city, “Do the people living in Toledo know
that their name hasn’t traveled very well?”) Whether they mean the Springfield
in Massachusetts or in Illinois (or in the Simpsons), I believe they are
barking up the wrong tree, fashion-wise.
And so our time abroad ended, awaiting a bus to the
airport in front of the Hotel Talisman, reflecting on our adventures, and
sorting out a jumble of memories – with the goal of ordering them, as I’ve done
here, before they fade too far and we end up asking, “What was the name of that
place...?”



































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